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ISN Radio - Industrial Strength Nightmares
 
 
 


 
 

 

 

 


Interview- Van Richter Records: Past, Present Future
Written by Julie Johnson   
Wednesday, 14 July 2010


Van Richter Records has been "Your aggro-industrial record label!" since 1993!

 

 

Here is a look at the Van Richter label, past, present and future with Glen Chase. Their mission is and always will be to develop the careers of the leading Artists in the Industrial music genre. The top priority of Van Richter continues to be "quality not quantity" in our releases! - http://www.vanrichter.net

GC: Can you give us a brief history of Van Richter Records and how it all began?

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VR: I founded the label in November of 1993 by signing Testify and The Fair Sex (from Germany). Our first offices opened January 1994 in San Diego California Since that time we have had offices in Palm Springs as well as Los Angeles. Prior to starting the label I worked for various other labels including Wax Trax Records as well as was a club and radio D.J., band manager and booking agent. Since 1994 we have added five other bands to the roster including Plastic Noise Experience, Sielwolf, Death and Horror Inc, Girls Under Glass and Underwater Pilots. We were one of the first indie labels in 1995 to launch a website vanrichter.net which remains current today,

GC: What is the presently going on with Van Richter Records?

VR: We are working our current roster and catalog as well as always keeping an ear out for new artists. Our latest focus is to reissue masters from our vault as digital only releases on itunes as well as reissue many out of print titles from various other seminal bands in the genre past and present. Physical music unfortunately is a dying art form so we have shifted our business model to embrace the digital world. To that end we are also spending a large amount of time on online viral marketing instead of traditional print media. We did recently launch a terrestrial monthly radio show at college radio that show cases our bands. Also we have a pre programmed station on live 365 that runs 24/7 as well as on itunes.

GC: What do you hope the future will bring for Van Richter Records?

VR: More prosperity instead of just survival which is a common tale for most indie labels. We definitely are working much harder for less these days. Digital Aggregation through our itunes pipeline for other bands and labels has been a big help. We hope the future brings us a break out band like all indie labels hope for.

GC: How do you plan to keep going forward with the label?

VR: Phasing our of physical goods and becoming a pure digital label at some point As indie record stores shutter in droves there is no point to continue to try and put a round peg is a square hole like the music business of the past. We have been fortunate enough to get our inventory levels low enough to be cost effective to eventually phase out.

GC: How many active bands are currently on the Van Richter label?

VR: All our bands are active with the exception of Death and Horror Inc though many are not in a hurry to release new material due to the current state of the industry.

GC: Are there any future plans for new releases for the last quarter of the year?

VR: We have no plans to release physical product this year. We continue to reissue back catalog and masters from the vault digitally because of the minimal cost and risk.

GC: What was the last release that the label put out and how did that do in a time where everyone is downloading music on the internet etc?

VR: We released a Various Artist "Hellfire" compilation that initially was exclusive to Hot Topic then after the exclusive period ended has been available at all retail. It did well because we had to budget price it due to downward price pressure of the net.

GC: Are you currently looking to sign new artists or accepting demos to the label?

VR: Yes that will never change. Our prime directive it to develop artists. There is a dedicated submission page on our website for accepting demos and even if we pass on an artist we do offer them non exclusive digital distribution via our pipeline with itunes.

GC: Has there been one artist on your label that seems to be the driving force behind the label?

 

VR: We have a small but diverse roster. The driving force behind the label was to follow in the foot steps of legendary industrial monikers such as my former label Wax Trax. The goal was to have Van Richter become a premiere old school industrial moniker. Unfortunately for Wax Trax they expanded too much as well as outside of the genre,lost their way and eventually were shuttered. Van Richter is sixteen years old and going strong partly because we believe we learned from prior history. The driving force was to represent seminal bands in all the sub genres of industrial music which I believe we have accomplished. Testify (Aggro Metal), The Fair Sex (Darkwave),Plastic Noise Experience (EBM), Sielwolf (Noise Experimental), Death and Horror Inc (Electro) Girls Under Glass (Gothic), Underwater Pilots (Synth - Future Pop)

GC: When looking at an artist to sign on your label, what kind of criteria are you looking for?

VR: A well produced sound that fits into our roster. An artist that has a story or willing to work hard to create one. With the declining state of our industry labels have to minimize risk these days.

GC: Do the active bands on your label play live?

VR: Yes. All of our bands except DHI are from Germany and most do regular tours there as well as play the well established sub culture festival circuit.

GC: I know the last CD I got from your label was a physical copy of Underwater Pilots, but now so many labels are turning to digital downloads, will you be using digital downloads for future releases as well?

VR: Yes all our current catalog and future releases will be digital only unless demand for physical formats ever returns which is unlikely.

GC: Can you tell us more about Van Richter Radio? How can artists have their music played on this station?

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VR: We do a live show once a month on KCR college radio as well as a pre-programmed show that runs 24/ 7 on live 365 and itunes. vanrichter.net/radio.html If artists want their music considered for airplay they need to snail mail us a package.

GC: How have you seen the industrial music scene change since first starting in 1993?

VR: Unfortunately the genre peaked around 1990 and has been on the decline ever since. Certainly the early days of the label were more exciting with more up and coming artists Now most of the talent has left the scene due to the serve decline in sales and illegal downloads. Unfortunately 90% of all music is stolen.

GC: What type of promotion do you do for Van Richter Records to keep the label out there? Also, during the times when there are not any releases going on?

VR: Viral marketing is the name of the game these days. One can spend all day promoting on social networking sites. Our award winning website also give us an ongoing presence. As mentioned we have two radio shows as well as street teams and sales representatives that spread the Van Richter word. We maintain a large user database which we send regular updates to as well. There are endless opportunities we utilize to promote our bands and label.

GC: What is your least favorite thing about running your label?

VR: The satisfaction at the end of the day that I am following my dream,passion and vision to bring the best art possible of the genre to the world. Creating Van Richter from nothing and making a name that is well respected in the genre and music business.

GC: What was the best thing that has ever happened for your label?

VR: That is hard to say after sixteen years of experience. Recognition from our peers as well as fans always makes my day even now. There is no one event I could single out as there have been many ups and downs as running a label is an ongoing challenge.

GC: Do you feel you have to compete with other labels?

VR: We compete for the few artists left out there and to a lessor extend shelf space which of course is becoming less relevant due to the shuttering of pure record stores. Also for air, internet and club play. There is probably only one other label in the genre left that we look at as competition in the USA.

GC: I know you have felt that it is more about "quality not quantity," when it comes to releases, why so?

VR: We tried to learn from labels that have flooded the market with poor quality releases over the years which both retail and customers have complained about. We are more concerned with artistic integrity than the bottom line unlike most larger labels.

GC: What type of music are you currently listening to?

VR: I still primarily listen to industrial music. I eat my own cooking as they say

GC: What advice would you have for someone who is interested in starting their own label that catered to industrial, EBM, Noise type of music?

VR: I would advise against it due to the lack of available talent and poor market conditions unless it is their passion first and making money is not a primary issue.

GC: What do you want people to remember about Van Richter Records and how you do business?

VR: We tried to make a difference in the genre by bringing the world seminal bands that will stand the test of time. We hope people will remember us for our vision and passion for industrial music.

Please check out the label: http://www.vanrichter.net/main.html

Last Updated ( Wednesday, 14 July 2010 )
 
Strychnin Gallery presents: Obsolete Angels.
Written by Administrator   
Tuesday, 13 July 2010

Strychnin Gallery presents: Obsolete Angels. Tales from a forgotten world captured in photographs by Annie Bertram (CH). Opening August 13th 7pm.
In The Vault: Saturno Buttò (IT).

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For many years now Annie Bertram has traveled throughout Europe to find and document places which inspire her, and radiate a magical appeal. Often she finds old anddelapidated castles, buildings or industrial ruins that attract her and become a solid part of her photographic art. While discovering hallways and rooms her imagination is stimulated by her surrounding. Wondrous stories about what could have taken place in these houses, and what kind of creatures could have lived there, emerge in front of hereyes. Obsolete Angels tells fantasy tales about mysterious places and residents. It is about vulnerable mechanical creatures that once where conceived by their masters to relieve their lives or to provide company to their isolated and lonely owners. In cooperation with professional costume designers and special effect make up artists Annie Bertram created breath‐taking objects for each story. Bertram’s sensitive way of photography let the protagonists and their wondrous homes become real. Obsolete Angels will drag you into a mysterious world that will cast a spell over you. Lost Area will perform their music live at the opening at Strychnin Gallery on August the 13th from 7pm. Annie Bertram “Ikarus” Annie Bertram “Maid” Annie Bertram “Phantom” Saturno Buttò “Solange”“Obsolete Angels” will immerse its visitors in the world in which Annie Bertram's pictures exist. Photographs on canvas, as well as written stories and objects from the protagonists –which are artworks in their own right – produce an extraordinary exhibition.

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For example there will be an installation of the original Ikaruswings. “Hugo” (made by Raf Veulemans), the little bird from a story called “Mechanical Bird” will show its fragile body at the exhibition. The book “Obsolete Angels” by Annie Bertram will be released in 2011 by Ubooks. For the exhibition there will be an exclusive limited and autographed preview book edition including two exclusive stories. Annie Bertram’s interest in photography starts during a perspective drawing class at the university of graphic design and book illustration in Leipzig, Germany. In her pictures she tries to show what nobody can particularly see: thoughts, feelings, desires. Her talent behind the camera has become well know, especially within the Gothic and Heavy Metal scene. She has produced promotion shoots and designed CD cover or many popular bands such as Blutengel,Terminal Choice, Unheilig, Staubkind and
Metallspürhunde. Over the past few years  Annie Bertram released several illustrated books featuring her photography and tales. Critics have struggled to define Saturno Buttò's work: metaphoric rituals or symbiosis of neo‐gothic and obscure religion are but two of them. He studied in Venice at the University of art and the Academy of Art. Except for his years of study he never left Bibione, a small Venetian cost city where he still lives and works. He always enjoyed exploring the potential of mind and body, with a special interest in “extreme” situations: figures able to shock while saving their power of seduction, in a kind of mix which makes you share, even at home, the performance of deep‐rooted taboos.

This e-mail address is being protected from spam bots, you need JavaScript enabled to view it
www.strychnin.com 

Last Updated ( Tuesday, 13 July 2010 )
 
WTII Records has 2 New Releases Available
Written by Administrator   
Tuesday, 13 July 2010

 


Promotional Designs/Logos | am.psych

WTII Records has 2 new releases available including the debut EP from a brand new coldwave artist. The new addition to the WTII roster is
Milwaukee's Am.psych. Comprised of John Verbos (vocals, programming), David Manning (bass guitar), Rusty Jorgensen (guitar) and Meg Guy(keyboards), Am.Psych incorporates a stylized blend of crunchy, harsh and hateful angst with smooth, digital synths to create their trademark sound. Their WTII debut will be the Side-Effects EP which features 5 tracks plus remixes from Caustic, Incekt, Cyanotic and Mark Verbos (Tommie Sunshine collaborator) and will be available on July 13th.

Trigger 10d returns with an edgier sound and a new self titled album. Lead by vocalist Alicia Sotelo, Trigger 10d has musically transitioned from trip-hop to more electronic indie rock. This new sound is evident from the albums start with the high energy, guitar driven Misplaced and continues throughout with A-list and Laced. Trigger 10d still has a heavy presence of electronics with the innovative programming of Sam Marotta and George Fulton taking center stage on Lullaby, Skies Gone Dark and Puddlehopping.

The first single "A-List," was released as a digital single in March through the new WTII digital store and all major download sites. This two
track single features the album version and a remix from Chris Randall from Sister Machine Gun.

More information on both artists and sound clips can be found at
www.wtiirecords.com

 
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